By this point in their career, the Beatles already could best just about any band in chops, synergy, and that all-encompassing beat, but now they had their ultimate weapon: some seriously accomplished songs, with chords and modulations that no one else had the audacity-or invention-to attempt to bring off. “From Me to You ” is served up with more fervor than the single version. But unlike when the band played Hamburg, now they had their own formidable compositions to perform. With their last club residency in Hamburg’s boozed-up Reeperbahn district less than a year in the past, the Beatles were still one kickass bar band: adrenaline junkies with something punkish about them, though that punk vibe was shot through with rhythm and blues. (And eventually, luckily for us, on YouTube.) By this point, teenyboppers were screaming wildly at the band’s shows, but not 50 years ago on October 24 at Stockholm’s Karlaplansstudion, where the band would tape a seven-song concert, in front of 100 people, to be broadcast over the radio. “Love Me Do,” “Please Please Me,” a debut LP, “From Me to You,” and “She Loves You” had all happened mega-single “I Want to Hold Your Hand” and With the Beatles were about to. In October 1963, the Beatles were superstars in Britain and completely unknown in America. I believed the cliché myself-until I started collecting Beatles bootlegs and hit upon one performance in particular that remains one of the five or six best shows I’ve ever heard by anyone. The band's own record label didn’t see fit to release any live material until seven years after the group had broken up, and that set has been out of print for an age. These lines are often parrotted even by Beatles fans.
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